Pran Nath (musician)
Pran Nath (पंडित प्राणनाथ) | |
|---|---|
 Pandit Pran Nath | |
| Background information | |
| Born | 3 November 1918 Lahore, British India |
| Died | 13 June 1996 (aged 77) Berkeley, California, US |
| Genres | North Indian classical, dhrupad, khayal |
| Occupation | Singer |
Pandit Pran Nath (Devanagari: पंडित प्राणनाथ) (3 November 1918 – 13 June 1996) was an Indian classical singer and master of the Kirana gharana singing style. Promoting traditional raga principles, Nath exerted an influence on notable American minimalist and jazz musicians, including La Monte Young, Terry Riley, and Don Cherry.[1] He began performing in the United States in the 1970s, and established the Kirana Center for Indian Classical Music in 1972; he subsequently taught in various universities across the US and Europe.[1]
Early life
[edit]Pran Nath was born into a wealthy family in Lahore in present-day Pakistan. While they were avid devotees of music, inviting musicians into the house to perform nightly, his family did not approve of his desire to become a musician, so he left home at the age of 13 and took up residence with the reclusive singer Abdul Wahid Khan of the Kirana gharana, cousin of the more widely known Abdul Karim Khan.
Pran Nath served Khan for seven years before he was accepted as a student, and stayed with Khan for nearly two decades[citation needed]. Both guru and disciple were much attracted to mysticism: Abdul Wahid Khan, a Muslim, to Sufism; and Nath, a Hindu, to a Shaivite sect in Dehra Dun. It is said that Nath lived in a cave near the Tapkeswhar temple to Shiva for five years, serving his guru intermittently.[2]: 247 He eventually married and reentered the world at the request (guru dakshana) of his guru, in order to ensure the preservation of the Kirana style. In 1937, he became a staff artist with All India Radio.
However, Nath stuck to Abdul Wahid Khan's extra-methodical and austere singing style, with a heavy emphasis on alap and slow tempo, which suited his voice well but was not very popular. Like his teacher, Pran Nath's singing emphasized precise intonation and the gradual, note-by-note exposition of tone and mood in the alap section of the music.[3]
Nath supported himself as a music teacher, and worked at the University of Delhi from 1960 to 1970.
Life in the United States
[edit]In 1970, Pran Nath travelled to New York to visit the American composer La Monte Young and visual artist Marian Zazeela, who heard his first issued recording, Earth Groove: The Voice of Cosmic India (1968). In 1972, he established the Kirana Center for Indian Classical Music in New York City and lived in the US for the rest of his life. He was a visiting professor of music at Mills College, teaching one semester a year from 1973 to 1984.[4]
Pran Nath attracted a strong following among the American minimalist composers,[5] including Terry Riley, Marian Zazeela, Michael Harrison (musician), Rhys Chatham, Jon Hassell, Catherine Christer Hennix, Charlemagne Palestine, Simone Forti, Shabda Kahn, Jon Gibson, Michael Harrison, Yoshi Wada and Henry Flynt.[6][7] Jazz musicians such as Don Cherry and Lee Konitz also drew influence from his teaching.[1]
Notable students
[edit]Discography
[edit]- Earth Groove (1968), Ragas Bhupali and Asavari
- India's Master Vocalist (1972), Ragas Yaman Kalyan and Punjabi Berva
- Ragas of Morning and Night (1986), Ragas Miya ki Todi and Darbari Kanada, two ragas for which Pran Nath was particularly noted
- Midnight (2003), Raga Malkauns, two separate recordings made in 1971 and 1976
- The Raga Cycle (2006), Ragas Shudh Sarang and Kut Todi, recorded in 1972
Unreleased recordings
[edit]Like his teacher Abdul Wahid Khan, Pran Nath did not emphasize recording or the releasing of records, preferring live performance. While only three recordings of Pran Nath were released during his lifetime, a large number of recordings exist under the care of La Monte Young. In Pran Nath's will, Young, as executor of his estate, was instructed to begin releasing recordings.[2]: 256
Films
[edit]- 1986 – In Between the Notes: A Portrait of Pandit Pran Nath.[8] Produced by Other Minds. Directed by William Farley.
- 1995 – Musical Outsiders: An American Legacy - Harry Partch, Lou Harrison, and Terry Riley. Directed by Michael Blackwood.
References
[edit]- ^ a b c Harris, Craig. "Biography - Pran Nath". AllMusic. Retrieved 17 August 2020.
- ^ a b Lavezzoli, Peter. The dawn of Indian music in the West. United Kingdom, Bloomsbury Academic, 2006.
- ^ Dhar, Sheila (2005). Raga n' Josh: Stories from a Musical Life. Permanent Black. ISBN 9788178241173.
- ^ "Music at Mills, An Illustrious Musical History".
- ^ Patrick Nickleson, The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute, University of Michigan Press, p. 56
- ^ Alexander Keefe, Lord of the Drone: Pandit Pran Nath and the American Underground
- ^ "Image Gallery 1". Terry Riley. Retrieved 6 June 2024.
- ^ In Between the Notes: A Portrait of Pandit Pran Nath Archived 29 September 2008 at the Wayback Machine
External links
[edit]- MELA Foundation: Pandit Pran Nath
- 1986 - In Between the Notes: A Portrait of Pandit Pran Nath. Directed by William Farley.
- On Pandit Pran Nath by Henry Flynt
- Other Minds: Pran Nath
- Pandit Pran Nath: Infinity’s Pathfinder By Marcus Boon
- Pandit Pran Nath: A Short Biography By Joan Allekotte
- Lord of the Drone: Pandit Pran Nath and the American Underground By Alexander Keefe
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